More Buffalo Bill

One car, two different sides. Artwork by John Ott greatly enhanced the appearance of these cars over my earlier attempt.

As I mentioned in my post on the Buffalo Bill Advance Car 3, I had the artwork for cars 1 and 2 and wanted to build those.  Those cars were a little more problematic as they would have to be scratchbuilt. Fortunately, I had good photos of both cars and could scale dimensions from them. The first thing I learned was that the cars had different lettering on each side. That would make things more interesting on the layout since both sides of the cars can be seen from different parts on the railroad.
 

Car Number 2 with just as much colorful lettering as Number 1.

The first thing I did was scale out the cars using the wheel diameter as a standard. According to this, both cars were about 50 feet long. Coincidentally, this was the same dimension as the MDC passenger cars. I used the floor and roofs of these cars as the basis. The windows and ends were Westwood parts. For those who might not be aware, Westwood made passenger car kits around the late 1960s. They used a series of windows and doors to build up their car sides. I have a number of these parts and found what I needed among them. Evergreen styrene passenger car siding took care of the sides. The doors on Car No. 2 were built up from .020 thick styrene.
 

Prototype photos of Car Number 1.

The end beams of the platforms were cut off the MDC floor and Cal-Scale end railings installed. A "possum belly" tool carrier was installed on each car built from scribed styrene. The duckbill roof of Car 1 was an MDC part. The contours of this roof are a bit strange so I used drywall joint compound to fill in the unusual groove on the roof which was then sanded smooth.
   The lettering decals were made from the tremendous artwork developed by my friend, John Ott (www.ottgallery.com). It was adapted in the same way as Car No. 3. Trucks were from Bitter Creek Models (www.bittercreekmodels.com).
 

Prototype photos of Car Number 2.

Now I have three advance cars. How were these used on the prototype? A few weeks before the show was due to hit town, Car No. 1 was sent out with a crew who would paper the town with posters advertising the show. When the job was done, it moved on to the next town on the show's tour. Meanwhile, Car No. 2 was visiting the outlying towns close enough to the show town that residents could join excursions to see the show. Car No. 3 was held in reserve. If another, competing, show tried to play the same town, No. 3 was dispatched on the first train. They would again paper the town, stage some sort of exhibition, anything to draw attention to the Buffalo Bill show instead of the competitor. It should work for some additional car movements on my railroad. In any case, they are nice-looking cars and were fun to build!

Buffalo Bill Rides Again!

John Ott's great artwork resulted in this car built from an MDC passenger car kit. Note the wood blinds in the windows.

One of the many weaknesses I have is for circus advance cars. These are the cars which moved ahead of the circus to plaster the advertising posters over every barn and building side they could find. The cars were usually decorated very gaily since they were a rolling billboard. Way back in the March 1995 issue, Railroad Model Craftsman published an article of mine on how I built cars 1 and 2 for the Buffalo Bill Wild West Show. The cars themselves were scratchbuilt but used commercial dry transfers. I was able to fiddle with the transfers a bit to get a couple of different colors and I still use them on the railroad.
  Recently I discovered that there was a Car No. 3. John Ott (www.ottgallery.com) had turned up a prototype photo of the car and had made some artwork for the lettering. His car looked fantastic so I asked if I could use the artwork to make a similar car. He generously agreed. The result is my Car No. 3. It is basically a Model Die Casting coach. Very little was done with it other than to replace the truss rods with nylon fishing line and use body-mounted couplers. Intermountain wheels also replaced the kit's plastic ones.

Eager employees of Bill Cody stand before their rolling office.

    The hard part of the car was adapting John's art into a usable decal. While I use an Alps printer for most of my decals, it just doesn't do very well with colors which morph into other colors as are on the lettering. If I used an inkjet, the decal would not be opaque enough and the car color would show through greatly changing the appearing. Some of the decal would disappear altogether. To solve this, I printing a white decal on the Alps and applied it to the car. This provided my opaque undercoat. The colored part of the decal was then printed on inkjet decal paper. Aligning the color decal with the already-applied white one was a little tricky but I think the result was worth it.
   With this done, I am enthusiastic about building new versions of cars 1 and 2. I have new and better artwork for them as well, thanks to John. You should take a look at his website when you get time. He's done some interesting things building cars and structures.